drama
Liquor Bank effectively delivers an inspiring message and Marcellus Cox further proves he’s a director to watch.
A Man and a Woman is quite possibly the cinephile’s ultimate date night movie and most definitely a romance that will win you over.
Julie Keeps Quiet is a smart and sensitive debut that succeeds in telling a story about abuse of power while empowering, rather than exploiting.
Bob Trevino Likes It is a truly wonderful piece of cinema, both heart-wrenching and life-affirming in equal measure.
Ghostlight is at once profound and moving and insightful, and features some of the most natural chemistry and acting you’ll see on screen this year.
There aren’t any stylistic flairs that Who By Fire brings to the table that differentiate this film from the prototypical coming-of-age movie.
An Unfinished Film’s creative and sensitive approach to depicting life during the COVID-19 pandemic deserves to be seen.
The film may fall short of capturing the epic nature of The Odyssey, but Ralph Fiennes and Juliette Binoche’s powerful performances elevate it beyond its flaws.
Last Breath is a movie that strips away all the Hollywood fluff, but turns in a delightfully-tense docudrama-thriller.
For our final installment of Slamdance, we’re covering a fictional drama about the struggles of Alzheimer’s and a documentary about a New York LGBTQI icon.
For this installment of Slamdance coverage, we’re looking at an inspiring documentary and a gripping fictional drama based on a true story.
Play It as It Lays is the rare adaptation of a literary masterpiece that lives up to the source material.
Racewalkers reminds us of the beauty in embracing the quirky, the unconventional, and the unexpected.
Sundance this year has Twinless, an audacious exercise in storytelling, and Train Dreams that is equally as compelling.
Armand is at its best when it serves as a showcase for its quartet of talented lead actors.