Canada
A crazy quilt horror comedy like Dead Lover is likely not to everyone’s taste, but this film’s playful, undead spirit is contagious.
There aren’t any stylistic flairs that Who By Fire brings to the table that differentiate this film from the prototypical coming-of-age movie.
Like a Saturday Morning cartoon drenched in blood, The Monkey throws everything it can at its audiences.
Aside from having a similar word in its titles, the following two films from Sundance…
While it may be highly satisfying to watch while its puzzlebox is winding through its narrative gears, Heretic is a box with nothing hidden inside.
Film Inquiry soke with director Sook-Yin Lee really for the TIFF film Paying For it.
On this TIFF report, Kristy Strouse reviews The Mother and the Bear and Shepherds – two unforgettable films on a path to self discovery.
Matt and Mara is the kind of film where, on the surface, it might seem that nothing is happening, but even the smallest moments can impact.
An unexpected and comical disclosure of one couple’s path, Paying For it leaves a lingering impression.
Wala has crafted a fine story, and impresses in his feature film debut with the TIFF film: Shook.
The Melbourne International Film Festival is in its 72nd year with a program of global features, shorts, documentaries, VR experiences, and classic movies.
Red Rooms is hypnotic, eerie, enticing, and undeniably repulsive, a procedural with the stifling rhythms of an addiction story or a dream.
Forty-five years after Alien, cat people finally have a new horror movie with Michael Sarnoski’s “A Quiet Place: Day One.”
Overall, Longlegs is well-directed, artistically apt, and really, really suspenseful.
From Tribeca Film Festival 2024, Soham Gadre takes a look at CHAMPIONS OF THE GOLDEN VALLEY, BAM BAM: THE SISTER NANCY STORY & THE WEEKEND!