Robbie Amell
Racewalkers reminds us of the beauty in embracing the quirky, the unconventional, and the unexpected.
Float loses much of its authenticity and charm in the lackluster filler and predictability, drowning with no chance of rescue.
Code 8 is exhilarating, gruesome, and touching, and its unique premise may very well be appreciated across genres.
The Babysitter is perfectly trashy popcorn entertainment, with a distinctive, highly-stylized vision and self-satirizing bite; a lesson in embracing genre conventions rather than falling victim to them.