Film Festivals
Editor in Chief Manon de Reeper is attending Los Angeles Film Festival and saw Moko Jumbie & Mighty Ground – here’s her report.
Laura Birnbaum reviews films seen at the 2017 Chicago Critics Film Festival, including The Little Hours, Berlin Syndrome, and La Barracuda.
Stephanie Archer reports on her time during Tribeca Film Festival 2017, red carpet events, interviews, reviews and more!
Film Inquiry writer Julia Smith had a chance to check out the Wales International Documentary Festival; here is an account of her experiences.
Stephanie Archer reports on her time during Tribeca Film Festival 2017, and on day 3 reviews a few short films she got to see.
Stephanie Archer reports on her second day at the Tribeca Film Festival 2017!
Stephanie Archer reports on her time during Tribeca Film Festival 2017, red carpet events, interviews, reviews and more!
For week two of the San Francisco International Film Fest, our writer Arlin Golden documented the films he was able to see and experience.
Arlin Golden attended the San Francisco International Film Festival and discusses the documentaries he’s seen, Nobody Speak, The Force and more.
This year’s Mumbai Film Festival saw some fascinating themes running through its vast line-up, such as the complex and often damaging notion of family, classism, the impact of war, not to mention the booming Indian documentary space.
The 60th annual London Film Festival has just drawn to a close, having shown 245 feature films from a number of different countries covering a plethora of genres. Not only that, but it has been a groundbreaking year with the British Film Institute (BFI) hosting a number of talks concerning diversity in the British film industry, while using the festival to announce the launch of its Black Star programme. It’s designed to celebrate and showcase the work of black film and television-makers in a series of talks, screenings and exhibitions running until the end of the year through a variety of theatrical and online platforms.
The last weekend of TIFF is always bittersweet. On one hand, you’re so sleep-deprived from all the morning/early afternoon screenings that it’s a relief to have your regular schedule back in order. And yet, on the other, you feel a pang in your gut as you realize that the end is nigh – no more friendly crowds, no more of those endearingly irritating commercials, no more Q&As and no more beautiful venues to ogle over as you wait for the programmer to introduce the film (and TIFF has some cool programmers, too).
Another day of school on Wednesday (September 14th) allowed me to take a break from my TIFFing, which was welcome. However, I was back on the town the next day, my sixth of what would be nine days in total. After the first weekend, TIFF starts to wind down:
Hundreds of thousands of moviegoers, press, and industry players descend on Canada every year for the Toronto International Film Festival. Eleven days of red carpets, screenings, junkets, and presentations cause a gluttonous amount of content to stream out of the city, covering everything from awards season contenders to fashion faux pas. It’s difficult to imagine anything getting missed by the avalanche, but those who attend know just how immense the festival is.
When I go to TIFF, I like to mix it up: if I get a ticket to a hot title, I’ll also check out something lesser known (or without a distributor). Most times, my screening schedule alternates so that buzzy films and unknown quantities are spaced out fairly evenly.