thriller
Black Can is worth a one time watch, if for no other reason than to see Nick Frost really let loose.
Woman of The Hour did an amazing job of capturing a time and place while still keeping it relevant for today’s world.
While it may be highly satisfying to watch while its puzzlebox is winding through its narrative gears, Heretic is a box with nothing hidden inside.
Hold Your Breath is a fantastic film and at a short runtime, what do you have to lose to give it a shot?
Jenny Pen is a cold-eyed excavation of one of the basest fears humanity possesses: That life, in all its triumphs, is a meaningless house of cards.
Smile 2 may occasionally overdo it with its over-the-top approach, and it contains a scattershot plot, but its strength lies in its presentation.
Despite its inconsistent storytelling and wooden performances, Night of the Harvest offers a certain charm that inspires appreciation for filmmaking.
Through its rich mix of dark comedic elements and deeper psychological questioning, something fascinating is evoked in A Different Man.
While Apartment 7A far exceeds the 1978 sequel and the 2014 remake of Rosemary’s Baby, it neither lives up to the suspense or the politics of the original.
Azrael has buckets of blood, some fun traps, and plenty of intrigue for those willing to overlook these gestures towards deeper meanings more fully.
Despite a trepidatious takeoff and a bit of a rocky landing, where Charlie Tango really shines is at its cruising altitude.
The Toronto International Film Festival brought quite the number of horror films this year. Kevin L. Lee reviews Heretic, Presence and Hold Your Breath.
Samir Oliveros spoke to Film Inquiry about his latest film The Luckiest Man in America.
Film Inquiry spoke with Edward Berger, director of Conclave, for the Toronto International Film Festival.
The Crow struggles to connect with audiences due to its lack of compelling character development and chemistry.