2024
Any chance I get to live vicariously through someone else’s experience in Japan, I’ll take…
In the end Eat the Night manages to make myself, a video-game skeptic, more of a believer of its affecting power.
Armand is at its best when it serves as a showcase for its quartet of talented lead actors.
Rewatching Singin’ in the Rain, arguably the greatest Hollywood musical ever made, my wife and…
From Sundance Film Festival, Jules Caldeira takes a look at Brides, Seeds, and Sugar Babies.
Miller’s Girl came and went like stormy weather, causing plenty of noise, drenching the world…
James Gunn and Peter Safran have been handed the keys to the DC Universe on…
Aardman’s newest entry in the Wallace & Gromit series is here, and it’s a delightfully…
The Room Next Door, unfortunately for itself, says too much and yet nothing of substance.
Martin Campbell’s name used to mean something in this town. The Dirty Angels director singlehandedly breathed…
Daruma, the newest feature from Alexander Yellen and Kelli McNeil-Yellen, is an inspiring example of why representation is so necessary.
I’ll be honest: As much as I love music, I’ve not been very aware of…
2024 was a year of big swings and big franchises. Last year, in 2023, the…
From Ground Zero is essential viewing to gain a glimpse at life in Palestine beyond what the mainstream media chooses to convey to us.
If Neon can stick the landing, The End has potential to be a breakout indie hit and a generational film of 2024.