2024
With Frida and Gaucho Gaucho, we gain perspective into an iconic Mexican artist and an Argentine community upholding decades of tradition.
With The Moogai, writer-director Jon Bell weaves historical trauma and a new mother’s struggles to deliver a thematically rich supernatural horror.
In my first report from Sundance, I’ve got two debuts and a sophomore film from a talented actor. All three tie together in a unique, familial bow.
Darla in Space and Welcome to the Enclave are great examples of perfect programming with unexpected narratives.
Verdugo and Davis’ tight and witty script shines through every scene, and like any good pilot Restorage leaves you wondering where we’re going next.
Legend of El Cucuy brings an old folktale back to life in an effective way. Perhaps this short will be shown to children and future generations as a cautionary tale.
Hitting both high and low notes, Mean Girls retains the core heart of the original, all while modernizing itself for a new generation.
Screening at Slamdance, the short film DOSH focuses on family struggles through the lens of a specific culture and mental health taboos within.
While those looking for genuine chills should certainly seek them elsewhere, this movie is batting at a surprisingly high level.
Pamela Anderson stars as an aging Las Vegas showgirl at a crossroads, after her acclaimed 30-year-show finally completes its run.