United States
Yorgos Lanthimos’ Kinds of Kindness is smart and funny, uncomfortable, moving, and confusing. It is also beautiful.
The Toronto International Film Festival brought quite the number of horror films this year. Kevin L. Lee reviews Heretic, Presence and Hold Your Breath.
The Crow struggles to connect with audiences due to its lack of compelling character development and chemistry.
Both The Substance and The Last Showgirl evaluate mortality by leaning on their respective stars’ relationship with celebrity in real life.
For this Horrific Inquiry we take a look back at Friday the 13th, Part II!
While Subservience knows how to deploy its star, it still can’t fully live up to the promise of this meta-premise or her talents as a performer.
Both TIFF films yearn to be more than what they actually are, but alas, gets stranded in a middle ground of mediocrity.
For his first report from Toronto International Film Festival, Wilson Kwong looks at two films based on true events.
Look Into My Eyes, the new documentary, looks at another way many people seek connection: appointments with psychic mediums.
The Melbourne International Film Festival is in its 72nd year with a program of global features, shorts, documentaries, VR experiences, and classic movies.
I’ll Be Right There showcases family drama and how, within that drama, there can be something to laugh and feel good about.
The Becomers politely reminds us that being a human is fundamentally weird–– and yes, being a human in 2020 was especially weird.
Ever as before, once “Romulus” gets underway, they encounter Facehuggers, Xenomorphs, and their mission devolves into a fight for survival.
Sunny had a striking opportunity to tackle a growing reality, but it only gets part of the way there before reverting to genre mechanisms.
Rialto Pictures is distributing a 4K restoration of The Conversation in honor of the 50th anniversary of its original theatrical release.