documentary
Oceans Are the Real Continents is a beautiful, bittersweet love letter to a place and a people that remain irrevocably intertwined even in separation.
From Ground Zero is essential viewing to gain a glimpse at life in Palestine beyond what the mainstream media chooses to convey to us.
The program for Sundance 2025 includes a whopping 87 feature-length films from filmmakers across 33 countries and territories.
Like any good exploitation movie Exorcismo feels like a pleasant discovery for a genre buff, a treat from the back of the video store.
Generation Terror proves a refreshing revitalization of the nuances under all the blood and guts, as well as the guts themselves.
Witches starts off like a video essay. Writer, director, editor (and “star”) Elizabeth Sankey talks…
Christopher Reeve’s rise to becoming a film star, follows with a near-fatal horse-riding accident in 1995 that left him paralyzed from the neck down.
Look Into My Eyes, the new documentary, looks at another way many people seek connection: appointments with psychic mediums.
The Melbourne International Film Festival is in its 72nd year with a program of global features, shorts, documentaries, VR experiences, and classic movies.
Michael Chang was a pioneer among Asian Americans in professional sports, and he did it at such a young age.
Witches may not be the most talked about film at this year’s festival, but it is certainly the most vital.
Made in England: The Films of Powell and Pressburger is a fitting tribute to the preeminent magicians of the movies.
How I Roll is not just for those familiar with the difficulties of MS, but those who wish to see how the human heart can endure and continue to thrive.
My Sweet Land is a somber warning call that its events are not contained in one place or time, they are the story of humanity.
They’re Here will struggle to connect to its audience, too often feeling as though it is attempting to only reach others whose experiences matches its own.