romance
Directors and fellow actors have come and gone, but Jonas Chernick remains, returning each year to the Glasgow Film Festival with a new cast and crew.
The Burning Season is an intricately told story of secrets, guilt, and lust, anchored by great chemistry between its co-stars, and a satisfying script.
Skin Deep remains a thought-provoking exploration and an impressive first feature using all the resources at its disposal.
For this Horrific Inquiry we take a look at 2010’s vampiric Let Me In.
Every time The Breaking Ice seems to be on the brink of shattering, it glides.
Float loses much of its authenticity and charm in the lackluster filler and predictability, drowning with no chance of rescue.
A multilayered depiction, Good Grief delivers on what its title promises and audiences will find they are richer in experience for it.
Which Brings Me To You is a heartwarming romantic comedy that strives to reach beyond the simplicity of love matches and mishaps.
Love Actually is as heartwarming as it is quotable – the experience of love and joy a permanent staple each and every year.
The artfulness, creativity, and uniqueness of Our Flag Means Death Season 2, combined with the darling charm and wit, will win audiences over immedately.
Bridget Jones’s Diary is a classic, yet refreshing, take on the rom-com, showing the imperfectly wonderful side of romance in your thirties.
Welcome to A Century in Cinema, the monthly column where I’ll be discussing films from…
Poor Things is a brilliantly weird odyssey of beauty and bile that goes down like a wonderfully bitter-and-sweet cocktail.
Is Andrew Haigh okay? Silly question: Of course he isn’t, he’s a filmmaker. An auteur,…