comedy
It’s official — the United Kingdom has The Penguin Lessons fever. Posters for this thing, depicting…
Like many before, Alex Braverman’s Thank You Very Much takes on the near impossible task of showing who this enigmatic anti-comedian comedy star was.
From SXSW we take a look at Drop, Death of a Unicorn and Slanted!
A crazy quilt horror comedy like Dead Lover is likely not to everyone’s taste, but this film’s playful, undead spirit is contagious.
If you like action comedy films that actually have a bit of a story, great action scenes, funny jokes, and a lot of heart, Novocaine is the perfect fit.
Borderline does a lot over the course of its 90 minutes, it made us laugh, it made us cringe, it made us look through our fingers.
Mickey 17 ripped apart the rule book for a Hollywood sci-fi movie, and its box-office success will hopefully lead to Joon-Ho getting even more runway next time around.
Bloody Axe Wound’s ideas were there but the writing couldn’t back them up or bring them to a place where we could fully care about anything happening.
Film Inquiry spoke with writer/director Kevin Lee and his star Angela Wong Carbone for the short film Aly.
Racewalkers reminds us of the beauty in embracing the quirky, the unconventional, and the unexpected.
Here’s an ice-cold take: movies nowadays are too damn long. Obviously, this is all relative;…
Kicking off this year’s Slamdance coverage, we’re looking at two different styles of comedy in “Lockjaw” and “Portal to Hell.”
Sundance this year has Twinless, an audacious exercise in storytelling, and Train Dreams that is equally as compelling.
Love Hurts is still worth a watch, if only for Quan’s tour-de-force performance.
At its best River uses the broad ensemble comedy of Japan in ways that evoke the best ensemble pieces like Noises Off or Christopher Guest’s work.