South Korea
Mickey 17 ripped apart the rule book for a Hollywood sci-fi movie, and its box-office success will hopefully lead to Joon-Ho getting even more runway next time around.
There is a deep love that carries through the devastation, Train to Busan delivers what movies are all about.
Concrete Utopia stakes its claim as the heir apparent to Parasite and Squid Game and should have similar crossover appeal for international audiences.
“Train to Busan” director Sang-ho Yeon delivers action, spectacle, and robots in “Jung_E,” now streaming on Netflix.
From this year’s New York Film Festival, we take a look at In Water & In Our Day!
In her latest report from The New York Asian Film Festival, Lee Jutton reviews Bear Man, Kitty the Killer and I Love You, Beksman!
Broker may not reach the heights of its predecessor, but it is a lovely depiction of a found family brought together in the strangest of ways.
An impeccably crafted puzzle box of a film, Decision to Leave cements Park Chan-wook’s place in cinema as our modern master of suspense.
Lee Jutton is back with two more films from this year’s New York Film Festival, with reviews of The Novelist’s Film and Walk Up!
The London Film Festival is back for another year and our first despatch covers a military coup and, just maybe, one of the great scenes I’ve ever seen.
Strong performances, solid direction and a viscerally emotional story keep Next Sohee on the right side of melodrama.
One can applaud the ambition and imagination in creating such a unique, complex fantasy world while also wishing it was just a little bit less packed.
If you’re looking for an escape from our current reality, then Emergency Declaration is probably not the summer blockbuster for you.
Hong Sang-soo’s third feature, “Virgin Stripped Bare by Her Bachelors,” was also his last film to be made from a full script.
With Seobok: Project Clone, it’s all too easy to be emotionally invested in their journey together, even in such an altogether generic film.