France

A MAN AND A WOMAN: A Timeless French Romance Returns in 4K
A MAN AND A WOMAN: A Timeless French Romance Returns in 4K

A Man and a Woman is quite possibly the cinephile’s ultimate date night movie and most definitely a romance that will win you over.

WHO BY FIRE: Well-Tread Material

There aren’t any stylistic flairs that Who By Fire brings to the table that differentiate this film from the prototypical coming-of-age movie.

Glasgow Film Festival 2025: THE RETURN
Glasgow Film Festival 2025: THE RETURN

The film may fall short of capturing the epic nature of The Odyssey, but Ralph Fiennes and Juliette Binoche’s powerful performances elevate it beyond its flaws.

A WOMAN IS A WOMAN and Anna Karina is an Icon
A WOMAN IS A WOMAN and Anna Karina is an Icon

A Woman is a Woman has never looked or sounded better—but Karina’s effervescent charm remains the film’s most valuable asset.

Chicken for Linda! (2024) - source: GKIDS
CHICKEN FOR LINDA!: Empty Stomachs, Empty Minds

“Chicken for Linda!” is an animated French drama with a precocious child, a poultry-napping, and some lively characters.

THE SACRIFICE: Revisiting Andrei Tarkovsky’s Stunning Swan Song
THE SACRIFICE: Revisiting Andrei Tarkovsky’s Stunning Swan Song

Tarkovsky’s work redefined how the language of cinema can be used to tell stories, especially with The Sacrifice.

MADS: Am I Tripping Or Is That A Monster? 
MADS: Am I Tripping Or Is That A Monster? 

MadS playful spirit elevates it from film school exercise to wild romp. Fans of Y2K-era zombie movies like Rec or indie bad trips like Bliss are in for a treat.  

THE CROW: An Exercise In Why
THE CROW: An Exercise In Why

The Crow struggles to connect with audiences due to its lack of compelling character development and chemistry.

Toronto International Film Festival 2024: THE ASSESSMENT & EMILIA PEREZ
Toronto International Film Festival 2024: THE ASSESSMENT & EMILIA PÉREZ

Both The Assessment and Emilia Pérez demonstrate the versatility of a festival like TIFF, which is always inclusive of all genres and subgenres of cinema.

Toronto International Film Festival 2024: SHEPHERDS (BERGERS) & THE MOTHER AND THE BEAR
Toronto International Film Festival 2024: THE MOTHER AND THE BEAR & SHEPHERDS (BERGERS)

On this TIFF report, Kristy Strouse reviews The Mother and the Bear and Shepherds – two unforgettable films on a path to self discovery.

Toronto International Film Festival 2024: THE SUBSTANCE & THE LAST SHOWGIRL
Toronto International Film Festival 2024: THE SUBSTANCE & THE LAST SHOWGIRL

Both The Substance and The Last Showgirl evaluate mortality by leaning on their respective stars’ relationship with celebrity in real life.

GIRLS WILL BE GIRLS: Multi-Generational Growing Pains

Girls Will Be Girls is a powerful examination of how the patriarchy continues to punish girls/women for pushing back against the narrow roles prescribed.

Melbourne International Film Festival 2024: KNEECAP, BABES, TEACHES OF PEACHES, SASQUATCH SUNSET & WAKE UP
Melbourne International Film Festival 2024: KNEECAP, BABES, TEACHES OF PEACHES, SASQUATCH SUNSET & WAKE UP

The Melbourne International Film Festival is in its 72nd year with a program of global features, shorts, documentaries, VR experiences, and classic movies.

MARS EXPRESS: A Well-Built Android Neo-Noir
MARS EXPRESS: A Well-Built Android Neo-Noir

Mars Express finds the right words and plucks the precise emotional heartstrings to make such a film more meaningful.

BANEL & ADAMA: Duty And Desire
BANEL & ADAMA: Duty And Desire

A powerful and poetic debut feature, Banel & Adama signifies Sy as an exciting young artist to watch in world cinema.