thriller
In “Darkest Miriam,” we follow the eponymous protagonist through her own struggles with grief, as well as her hopes of love along the way.
From SXSW we take a look at Drop, Death of a Unicorn and Slanted!
Control Freak always goes forward and evolves, keeping you entertained and sitting with you afterwards for a long while.
The Surfer feels like a natural fit for Nicolas Cage, and what follows is – for better or worse – pretty much exactly what you would assume from him.
Last Breath is a movie that strips away all the Hollywood fluff, but turns in a delightfully-tense docudrama-thriller.
House of Spoils is striking and interesting at first, but by the time the action comes it is too little, too late.
It’s 97 minutes of pure bonkers cinema and it deserves to be watched by as many people as possible.
Teal and orange have made a serious comeback, at least in Frederik Louis Hviid’s new…
In the end Eat the Night manages to make myself, a video-game skeptic, more of a believer of its affecting power.
Armand is at its best when it serves as a showcase for its quartet of talented lead actors.
In Novovaine, Jack Quaid joins the growing list of everyman actors headlining fish-out-of-water action movies.
The best that can be said for Wolf Man is that, like its well-intentioned yet nevertheless obviously doomed protagonist, its heart is in the right place.
Babygirl’s depictions of kink, while surface-level can ultimately be read as an intricate and compelling portrait of powerplay as direction.
Strange Darling is fresh and original, a thriller for the ages on an indie budget.
One of the marks of a good short film is that it leaves you longing for more, and that’s the case with The Coder.